Casey Joiner, A Kind of Violence

Casey Joiner Housekeeping

April 11-June 6

The Do Good Fund Gallery

Housekeeping is a record of the strange and nonlinear landscape of loss. Created over the past several years while navigating the long illness and eventual passing of her father in early 2023, these images move between still lifes, interiors, and portraits — both real and imagined — reflecting the distortions of grief and the fragile persistence of memory.

Intimate, often domestic, and sometimes surreal, this work contemplates the regression to childhood that comes with the death of a parent and the shifting line between memory and imagination. It also explores the concept of “home” as both a physical and generational space, familial bonds, personal identity, and what lingers after loss. The title Housekeeping comes from the idea of care and maintenance — of a home, of a family, of memory itself. It also nods to Marilynne Robinson’s novel of the same name, which meditates on longing, absence, and the fragile beauty of human bonds.

While Joiner began by photographing the intimate spaces and objects that defined her childhood, this documentation evolved into a broader record of absence and return. Slipping between the documentary and the dreamlike, the images presented here are fragments of a life, stitched together like memory itself — truthful, but not always factual. Losing a parent is a universal but deeply private experience. Housekeeping offers an intimate window into that experience, while also touching on the broader questions of time, memory, and what we carry forward.



Housekeeping  was most recently shown at Institute193 in Lexington, KY from October 30th - December 30th, 2025.


Casey Joiner

Casey Joiner is a photographer in New Orleans, LA. Her work is loosely rooted in the documentary tradition, matter-of-fact in its sentimentality. Her photographs speak in the abstract of memory, imagination, identity and perpetual care with a formalist conviction, democratic vernacular and a magical realist attitude. She makes images informed by her affection for places full of peculiar nonsense and deep struggle, slow things, and growing up in the Deep South.