Sage Sohier
Sage Sohier (b. 1954) has received fellowships from the John Simon Guggenheim Memorial Foundation, the No Strings Foundation, the National Endowment for the Arts, and the Massachusetts Artists Foundation. She has published eight monographs, including “Peaceable Kingdom,” (Kehrer Verlag 2021) “Animals,” (Stanley/Barker 2019), “Americans Seen,” (Nazraeli Press 2017), “Witness to Beauty,” (Kehrer Verlag 2017), “At Home with Themselves: Same-Sex Couples in 1980s America,” (Spotted Books 2014), “About Face,”(Columbia College Chicago Press 2012), and “Perfectible Worlds,” (Photolucida 2007), and “Passing Time,” (Nazraeli Press 2023). Sohier’s work is in the collections of the Museum of Modern Art, New York, the Museum of Fine Arts, Boston, the San Francisco Museum of Modern Art, the Cleveland Museum of Art, the Nelson-Atkins Museum of Art, the Portland Art Museum, the Davis Museum, Wellesley College, and the Brooklyn Museum. She has also been featured at Foley Gallery (New York); Robert Klein Gallery (Boston); Carroll and Sons Gallery (Boston); Joseph Bellows Gallery (San Diego); The Museum of Contemporary Photography (Chicago); Blue Sky Gallery (Portland, OR); the Museum of Modern Art (New York); the International Center of Photography (New York); the Art Institute of Chicago (Chicago); the Museum of Fine Arts (Boston); and many other venues.
She has taught photography at Harvard University, Wellesley College, and the Massachusetts College of Art, and has done commissioned work for the George Gund Foundation in Cleveland, the Robert Rauschenberg Residency program in Captiva, FL, and the Photographic Resource Center in Boston, as well as editorial work for numerous publications.